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Even so, I stepped out onstage with plenty of attitude, calculated, looking casual. "But there I was, ready to start singing, with very little preparation and, hence, no self-assurance.
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"I'd imagined my first performance with Airplane would be well rehearsed, that when I replaced Signe it would be pat changeover," Slick wrote. Slick acknowledged she was "scared shitless" because of the Airplane's local popularity and also felt under-rehearsed, as was the band's wont. Loudermilk's "Tobacco Road" and Fred Neil's "The Other Side of This Life."
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15, while Slick made her debut the following night, a two-set show that featured five songs from Takes Off, previews of tracks that would later appear on Surrealistic Pillow ("3/5 of a Mile in 10 Seconds"), After Bathing at Baxter's ("Things Are Better in the East") and Jefferson Airplane Loves You ("Don't Let Me Down"), plus a selection of covers that included J.D. Anderson made her final appearance with the band on Oct. The Airplane's changing of the guard took place during the middle of October 1966 at the Fillmore Auditorium. It felt like the flat-chested, kinky-brown-haired sarcastic bitch was breaking down another barrier in Barbie Land."
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"ARE YOU KIDDING! FINALLY I'M GOING TO BE ON THE FUCKING VARSITY SQUAD!' I didn't say that out loud, but for me this was an initiation, an invitation to hold what I'd always thought was a lofty position reserved only for supermodels, movie stars and great physical beauties ad nauseam. "What was I really thinking?" Slick wrote. The timing of Casady's invitation could not have been much better. The group's sole album included early versions of "White Rabbit" and "Somebody to Love," but it, as well as the Slicks' marriage, was unraveling by autumn 1966, at the same time Airplane singer Signe Toly Anderson decided to leave the band to raise her newborn child. Born in suburban Chicago and raised in Palo Alto, Calif., she was a department-store model before forming a band, the Great Society, in 1965 with her husband, Jerry Slick, and his brother Darby Slick. Slick was hardly some unknown talent at the time. She had a power and intensity onstage that Stevie Nicks should only ever dream she could get." "When they got Grace in the band, that was just beyond belief," David Crosby remembered to Jefferson Airplane biographer Jeff Tamarkin. Slick reigned with Janis Joplin as queens of rock at that time, and the force of both her voice and her personality made her a ceiling-shattering feminist counterculture icon and an inspirational model for many to follow. (The band's sophomore album, Surrealistic Pillow, released in February 1967, was a Top 5, platinum-certified smash driven by a pair of Slick-penned Top 10 hits, "Somebody to Love" and "White Rabbit.") But adding Slick was what really provided liftoff, almost immediately. The Airplane were already at the top of San Francisco's burgeoning rock scene, with a national recording contract and a debut album, Jefferson Airplane Takes Off, that came out in August 1966. "My reaction to Jack was a calm (trying to be cool), 'Yeah, that might work.'"